Interpretando sonhos online dating

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Removidos da sua função original, situada nos bastidores, receberam, pela intervenção da artista, novas configurações.Esta metamorfose operou-se ora por via da pintura, pela justaposição de outros objectos ou materiais e/ou pela sua reconfiguração manufactural; em muitos casos os objectos tornaram-se irreconhecíveis.The six large paintings in the show — half of which are circular, while the other half are composed of groupings of four roughly triangular blocks — are made from polystyrene (also known as Styrofoam) that has been coated with fiberglass and concrete to serve as “canvases” for pale shades of acrylic paint applied in flat areas of color.Some of the pieces are embellished with drawings and drips of paint that cover the surfaces or enhance their broad edges.Citing as influential three disparate American artists – David Lynch, Agnes Martin, and Matthew Barney – she has explored performance art, site-specific installations, and process art, all this by the young age of 29.Bichão brings an effervescent mix of energy and spontaneity, along with an undercurrent of ambiguity and mystery, to this body of work.internacional magazine of contemporary art On Somebody's Address show ENG For her second solo show at Rooster Gallery, Sara Bichão offers a group of delicate paintings/objects that effortlessly carry weighty notions of discovery, reconstruction and memory.Bichão previously used concrete to create hybrid works that existed at the intersection of painting and sculpture, with line and color applied to the surface of monumental forms.

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Parts of these objects are made with materials that belonged to my family, therefore they carry in themselves a deep emotional value.Luisa Especial, 2014 On Dressing show PT /not translated Quando o Carpe Diem Arte e Pesquisa convidou Sara Bichão para desenvolver uma residência no Palácio Pombal, no rescaldo da sua experiência na Residency Unlimited, em Nova Iorque, e no seguimento de algumas mudanças de estúdios, a artista tinha em mente produzir peças suspensas, na tradição dos constatamos que algo dessa ideia inicial se materializou, embora indirectamente, na sugestão de movimento proporcionada ao visitante, decorrente da tipologia das obras e sobretudo da disposição daquelas no espaço.Os artistas em residência no Carpe Diem Arte e Pesquisa procuram, habitualmente, o trabalho em equipa e a contaminação com o contexto social, em consonância com o incremento das práticas colaborativas e em ligação à comunidade.The oddest piece in the show, however, is situated rather low on the wall just inside the interior gallery.Composed of a single piece of string coiled around several nails to form a geometric shape that wraps around a corner, it signifies Bichão’s experimental approach to art and her refusal to be attached to any particular genre.

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